“Genjō Sanzō kenkyū: Shaka jūroku zenshin zu o chūshin ni 玄奘三蔵像研究〜釈迦十六善神図を中心に (The Iconography of Xuanzang in Medieval Paintings of the Assembly of Shaka and the Sixteen Protective Deities). 鹿島美術研究.” Kajima Journal of Art History, no. 31 (2014): 226–238.
Rachel Saunders
Le Japon Artistique. San Francisco: Chronicle Editions, 2011.
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E to kotoba no fukusō: Fujita Bijutsukan zō Genjō Sanzō-e ga kataridasu mono.” In 絵とことばの輻輳〜藤田美術館蔵『玄奘三蔵絵』が語り出すもの (Textual Acoustics in the Genjō Sanzō-e), 451–482. Tokyo: Seikansha, 2014.
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Arts of Japan. Boston: Museum of Fine Arts, Boston, 2009.
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Pursuits of Power: Falconry in Edo Period Japan.” Orientations 36, no. 2 (2005): 82 - 92.
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Patterns of Identity: Kimono Pattern Books in the Collection of the Museum of Fine Arts, Boston.” Andon 83 (2008): 49 - 57.
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玄奘三蔵絵研究〜玄奘三蔵像の二つのかたち及び典拠テキストの重層性 (Dual Identity: Textual Sources for the Image of Xuanzang in the Genjō Sanzō-e) [Japanese].” Bulletin of the Institute for Advanced Studies on Asia 6, no. 1 (2012): 15 - 26.
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Japanese Rare Books at the Museum of Fine Arts, Boston.” Arts of Asia 40 , no. 6 (2010): 100 - 107.
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Talking Pictures: The Life of Xuanzang in a Fourteenth-century Japanese Handscroll.” Literature and Aesthetics 22, no. 2 (2012): 174 - 200.
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Gyre and Gimble: The Artist Books of Takei Takeo (1894-1983).” Print Quarterly 30, no. 1 (2013): 23 - 39.
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