Eugene Wang

Wang, Eugene. “Whose Paradise is it Anyway? - The Lotus Sutra Tableau in Cave 217 at Dunhuang.” Orientations, no. November (1996): 44-49.

Wang, Eugene. “Why Pictures in Caves: Mawangdui Once More.” Orientations 3, no. March (2009): 27-34.

Wang, Eugene. “Film and Contemporary Chinese Art.” In The Oxford Handbook of Chinese Cinema, edited by Carlos Rojas. Oxford: Oxford University Press, 2013.

Wang, Eugene. “Melodrama as Historical Understanding: The Making and the Unmaking of Communist History.” In Melodrama and Asian Cinema, edited by Wimal Dissanayake, 73-100. Cambridge: Cambridge University Press, 1993.

Wang, Eugene. “The Elegiac Cicada: Problems of Historical Interpretation of Yuan Painting.” Ars Orientalis 37 (2009): 176-194.

Wang, Eugene. “The Shadow Image in the Cave: Discourse on Icons.” In Early Medieval China: A Sourcebook, edited by Wendy Swartz. New York: Columbia University Press, 2014.

Wang, Eugene. “Of Text and Texture: The Cultural Relevance of Xu Bing's Art.” In Xu Bing: Language Lost, 7-15. Massachusetts College of Art, 1995.

Wang, Eugene. “Cinematic Other and the Cultural Self?” Wide Angle XI, no. 2 (1989): 32-39.

Wang, Eugene. “Ascend to Heaven or Stay in the Tomb? Paintings in the Mawangdui Tomb 1 and the Virtual Reality of Revival in Second-century B.C.E China.” In Mortality in Traditional Chinese Thought, edited by Amy Olberding and Philip Ivanhoe, 37-84. Albany: SUNY Press, 2011.

Wang, Eugene. “The Taming of the Shrew: Wang Hsi-Chih (303-361) and Calligraphic Gentrification in Seventh-century China.” In Character and Context, edited by Cary Liu, 132-173. Princeton: Princeton University Art Museum, 1999.

Eugene Wang, Zheng Yan. Anshang fang: kou, wenzi, he tuxiang 庵上坊: 口述, 文字, 圖像 (The Archway at Anshang: Orality, Texts, and Images). Beijing: Sanlian chubanshe, 2008.

Wang, Eugene. “Sketch Conceptualism as Modernist Contingency.” In Chinese Art: Modern Expressions, 102-61. New York: The Metropolitan Museum of Art, 2001.

“"Elitism vs. Populism." in "The Chinese Language, Ever Evolving".” The New York Times May, no. 2 (2009). Publisher's Version

Wang, Eugene. “What Do Trigrams Have to Do with Buddhas? The Northern Liang (397-439) Stupas as a Hybrid Spatial Model.” RES: Anthropology and Aesthetics 35 (1999): 71-91.

Wang, Eugene. “'Picture Idea' and Its Cultural Dynamics in Northern Song China.” The Art Bulletin LXXXIX, no. 3 (2007): 463-481.