Yukio Lippit
HAA 18J: Introduction to Japanese Architecture
. “Figure and Fracture in the Genji Scrolls: Text, Calligraphy, Paper and Painting.” In Envisioning the Tale of Genji: Media, Gender and Cultural Production, , 49-80. New York: Columbia University Press, 2008.
. “Of Modes and Manners in Japanese Ink Painting: Sesshū's Splashed Ink Landscape of 1495.” The Art Bulletin 94, no. 1 (2012): 50-77.
. “Goryeo Buddhist Painting in an Interregional Context.” Ars Orientalis, no. 35 (2008): 192-232.
. “Negative Verisimilitude: The Zen Portrait in Medieval Japan.” In Asian Art History in the Twenty-First Century, , 64-95. Williamstown: Sterling and Francine Clark Art Institute, 2007.
. Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū. Washington, DC: National Gallery of Art, 2012.
. “Japan's Southern Barbarian Screens.” In Encompassing the Globe: Portugal and the World in 16th and 17th Centuries. Washington, DC: Smithsonian Institute, 2007.
. Awakenings: Zen Figure Painting in Medieval Japan. Boston: Japan Society, 2007.
. “Apparition Painting.” RES: Anthropology and Aesthetics, no. 55/56 (2009): 61-86.
. “Tawaraya Sotatsu and the Watery Poetics of Japanese Ink Painting.” RES: Anthropology and Aesthetics, no. 51 (2007): 57-76.
. Painting the Realm: The Kanō House Painters in Seventeenth-century Japan. Seattle: University of Washington Press, 2012.
. “Urakami Gyokudo: An Intoxicology of Japanese Literati Painting.” In Dialogues in Art History, from Mesopotamian to Modern: Readings for a new Century, , 166-187. Washington, DC: National Gallery of Art, 2009.
. The Thinking Hand: Tools and Traditions of the Japanese Carpenter. Cambridge: Edwin O. Reischauer Institute, 2014.
