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Mind and Murals: The Buddhist Cave Paintings of the Mogao Grottoes in China.” MillerComm Lecture at the Center for Advanced Studies, University of Illinois, 2015, November 9th. View online
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Old Well: a Womb or a Tomb?” Framework 35 (1988): 73-82.
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Aftershock: Eugene Wang on the Recent Work of Liu Xiaodong.” Artforum International, no. February (2012): 204-211.
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Samsara and the Crisis of Visual Narrative.” In Narratives of Agency, . Minneapolis: University of Minnesota Press, 1996.
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Red Sorghum: Mixing Memory and Desire.” Public Culture, no. Fall (1989): 31-53.
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Painted Sculpture in an Optical Theatre: A Fifth-century Chinese Buddhist Cave.” Source: Notes in the History of Art 30, no. 3 (2011): 25-32.
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"Buddha Seal" and Relic Casket.” In Buddhist Sculpture from China: Selections from the Xi'an Museum, Fifth through Ninth Centuries. , 118-126. New York: China Institute Gallery, 2007.
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Whose Paradise is it Anyway? - The Lotus Sutra Tableau in Cave 217 at Dunhuang.” Orientations, no. November (1996): 44-49.
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Why Pictures in Caves: Mawangdui Once More.” Orientations 3, no. March (2009): 27-34.
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Film and Contemporary Chinese Art.” In The Oxford Handbook of Chinese Cinema, . Oxford: Oxford University Press, 2013.
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Melodrama as Historical Understanding: The Making and the Unmaking of Communist History.” In Melodrama and Asian Cinema, , 73-100. Cambridge: Cambridge University Press, 1993.
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The Elegiac Cicada: Problems of Historical Interpretation of Yuan Painting.” Ars Orientalis 37 (2009): 176-194.
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