Melissa McCormick
. “Storyworlds: Architecture and Embodied Cognition in Japanese Scrolls.” Seattle Asian Art Museum, 2015, October 2nd, Submitted.
. “Rethinking Patronage Paradigms.” Art History Department, Universidad Etadual de Campinas (UniCamp), Brazil, 2015, May, Submitted.
. “Inside Out: Panoramic Genji.” Metropolitan Museum of Art, Art of Japan Scholars' Day, 2015, November, Submitted.
. “Murasaki and Metaphysics: The Thinking Female Author as Buddhist Icon.” History of Art Department, University of Michigan, 2015, September 23rd., Submitted.
. “Murasaki and Metaphysics: The Thinking Female Author as a Buddhist Icon.” History of Art Department, University of Michigan, 2015, September 23rd., Submitted.
. “Murasaki and Metaphysics: The Thinking Female Author as a Buddhist Icon.” Modern Languages and Comparative Literature Department, Boston University, 2015, November 10th, Submitted.
. “Flower Personification and Imperial Regeneration in The Chrysanthemum Spirit.” In Amerika ni wattata monogatari-e. Tokyo: Perikansha, 2013.
. “In Situ: Buddhist Art and Ritual at the Imperial Court.” In Elegant Perfection Masterpieces of Courtly and Religious Art from the Tokyo National Museum. Houston: Houston Museum of Fine Art, 2012.
. “Peeking Into the 'Genji Room': Ink-line Genji Scrolls and the Nyoubou Perspective.” In Genji monogatari wo yomitoku 1: Egakareta genji monogatari, , 101-129. Tokyo: Kanrin Shobou, 2006.
. “The New Chamberlain from an Art Historical Perspective.” In Muromachi jidai no shōjo kakumei: 'Shinkurōdo' emaki no sekai, . Tokyo: Kasama Shoin, 2014.
. “Reconsidering Tokugawa Illuminated Manuscripts: Tosa Mitsusada's Scenes of Suma and the Hofer Collection of Early Modern Handscrolls in the Harvard Art Museums.” In Kinsei yamato-e saikō, , 51-67. Tokyo: Brücke, 2013.
. “Mountains, Magic and Mothers: Envisioning the Female Ascetic in a Medieval Chigo Tale.” In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, . Princeton: Princeton University Press, 2012.
. “The Genji Poetry Match, Manuscript Culture, and the Art of Transcription.” In Genji-e shūsei, . Tokyo: Geika Shoin, 2010.
. “Murasaki Shikibu at Ishiyamadera: An Image between Wa and Kan.” Kokka, no. 1434 (2015): 5-21.